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Buckminster Fuller used to say that house construction was a field which had hardly evolved over the last thousand years. In fact, in many ways, construction techniques have regressed.

To understand this, we must look at various aspects of the modern shelter, including the materials used, the efficiency of the structure, the shape of the building itself, energy efficiency, and harmony with the environment. For example, does the shape and position of the house take into account the dominant winds and / or the position of the sun throughout different seasons? More often than not, the answer is no.

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Virtual friend Bethany Buffington, who wears philosophy on her brow and has poetry in her heart, judiciously commented on part I of this post (as it appears on Myspace), suggesting that the proper way to create a house is as an outer expression of one’s inner beauty. One who cultivates inner beauty and chooses to let it shine by expressing it in the material realm in whatever form (house, object, performance, etc.) is certainly an artist. And I wholeheartedly agree that a proper dwelling should be a work of art. And this invites a proper digression into the concept of beauty

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The way we currently design houses, consumer products, and other technological artifacts is obsolete and harmful. While there is a growing consciousness concerning environmental impact and so-called appropriate technology and some progress is noted in the mainstream, the most promising ideas are found at the “fringe,” in the domain of a group of visionaries here called the “outlaw designers.” The inspiration for the right solutions can be found all around us by appropriately drawing from Nature’s design techniques. It requires a profound change in our compartimented way of thinking to properly understand Nature’s systemic and synergetic quality. Applying this holistic view to the design of houses and other products will lead to better integration with the surroundings, with the users, and reduce considerably the environmental footprint. We briefly list architect Eugene Tsui’s principles of Evolutionary Architecture, which represent a Nature-inspired, bold and necessary departure from tradition in building appropriate shelters. In the same spirit, we also propose a series of 12 evolutionary design principles to be applied to small scale technological products.

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R. Buckminster Fuller (July 12th, 1895—July 1st, 1983), engineer, poet, philosopher, architect, inventor, and visionary was the quintessential modern Renaissance man. Among many other descriptions, he was called “the PR man to the Universe.” His original and profoundly individual way of thinking led to a catastrophic business failure and bankruptcy in 1927; he had been attempting to innovate in the very conservative business of construction, which has traditionally been strangled by regressive codes and territorial trade unions. Profoundly shaken, he chose to embark on a lifelong experiment as “Guinea Pig B” to find out what one individual could do to help all of humanity become an enduring success, in a manner which would be sustainable and environmentally sound. He worked ahead of his time and left an impressive legacy of tools and knowledge in mathematics, architecture, engineering, philosophy, etc. One of the highlights of his life’s work is that he understood the importance of working at the interfaces, of transcending the boundaries that exist between the fields of human endeavour. In this line of thought, he was inspired by Nature’s synergetic mechanisms, its systemic quality, which makes it difficult to understand if you look at only one aspect at a time. This philosophy led to unique and extremely valuable inventions, with the geodesic dome being the most recognized.    

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